Effects Of Drought On The Great Depression - 1292 Words

In the 1930s, drought maintained its negative influence in all of the Plains for nearly 10 years. The drought’s primary characteristics of damage are regarded as agricultural for the most part. High temperatures, lack of rain, insect infestations, and heavy winds all in unison with the dust storms that accompanied these detrimental instances damaged countless crops. In addition to the Great Depression’s bank closures, various economic damages, increased unemployment, and other hardships, the agricultural depression just worsened the situation in America. It is also important to note that the lack of precipitation may have most likely affected the overall conditions of plant life and wildlife in a negative manner, as well as caused potential shortages of water for various conventional purposes. Although this almost always goes unnoticed by most readers, it is extremely important to acknowledge such regressions as they appropriately contribute to the overall negative and destructive connotation of the Dust Bowl in its respective era. A total of four consecutive separate waves of droughts accompanied each other during the 30s: 1930–31, 1934, 1936, and 1939-1940 . Due to the incompetency of affected regions to adequately recover from any of the recurring droughts, the entire series of droughts was thought of to be a single drought by the inhabitants of affected areas. It was in the year 1932 when fourteen distinct dust storms were reported, which rose to an astonishing 48 totalShow MoreRelatedThe Cause and Effects of the Great Depression Essay1443 Words   |  6 Pages1929 was the main cause of The Great Depression. In fact, The Great Depression was caused by a series of factors, and the effects of the depression were felt for many years after the stock market crash of 1929. 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The majorRead MoreThe Lamp At Noon By Sinclair Ross1326 Words   |  6 Pagescontext of the Great Depression helps to reinforce the story’s theme that nature is more powerful than man. This is evident through the fact that in the story and in real life; nature caused the Great Depression, nature can cause man to do unusual things and the fact that nature continually outsmarts man. These examples have been exemplified throughout the text and history to help prove that nature is indeed more powerful than man. Firstly, nature was a principal cause of the Great Depression. The storyRead MoreThe Dust Bowl Effect On The Great Depression1032 Words   |  5 PagesThe Dust Bowl’s Effect on the Great Depression The Grapes of Wrath, by John Steinbeck, pays homage to the critical impact the Great Depression had on dust bowl farmers. The growing demand for wheat products forced farmers to overgraze their property. 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One of the hardest hit areas of the population was the agricultural center of the United States in the area that would come to be known as the Dust Bowl. The problems that the people of the Dust Bowl dealt with however were not a result of the Depression as a whole but instead were the result of a combination of bad farming decisi ons and a horrible drought. Even though the timingRead MoreThe Struggle Of The 1920s1322 Words   |  6 PagesThe Struggle of the 1930s: What the Great Depression Did to America During the decades of the 1920s and 1930s, the United States underwent a series of changes that had a drastic effect on people across the nation. As the economy began to slow to a halt, millions of people were left broke and without jobs. As the country’s farmers were paralyzed with debt, food prices increased radically (McElvaine). During the mid-1930s, a series of droughts coupled with poor agricultural methods led to years of

Use of Puck to Explore Love in A Midsummer Nights Dream...

Love is a timeless topic. It will forever be the theme of popular entertainment and source of confusion for men and women alike. No one understands this better than William Shakespeare, and he frequently explores this complex emotion in his plays. In A Midsummer Night’s Dream Shakespeare cleverly reveals the fickle and inebriating aspects of love through his mischievous character Puck. Though Puck adds much humor to the play while tormenting and drugging the lovers in the forest, he also acts as a catalyst in redirecting their devotions among one-another, thus demonstrating the fickle nature of love. For example, Lysander, who in one instant is blindly in love with his fair Hermia, will suddenly wake to find himself obsessed with†¦show more content†¦Once again Shakespeare has beautifully illustrated the bi-polar nature of human emotions. Although the character Puck was an impish fellow, he certainly knew how to develop a study in falling in and out of love. Puck’s serial drugging-spree serves to draw the readers’ attention to another important aspect in human behavior: love is intoxicating and can diminish all powers of reasoning. Seemingly sober people can act in the most foolish ways when under the influence of love, which is illustrated when poor Helena chases after Demetrius proclaiming â€Å"I am your spaniel, and, Demetrius, /The more you beat me I will fawn on you† (II.i.210-11). Like a drunken woman, Helena’s mind is clouded causing her to behave like a complete moron. A reader will cringe while reading about Helena’s pathetic pursuit of Demetrius, but part of that discomfort will usually stem from an equally pathetic memory of stupidity committed while under the influence of emotion. Another example of judgment gone awry while high on love is Hermia and Lysander’s rash decision to run away together despite the fact they both risk a punishment of death from Theseus if they are caught. Th ey feel strengthened by the mere thought of ‘togetherness’ and are willing to take risks that they would not normally think of taking. Any synthetic chemical is likely make a person feel brave, or even invincible, and the natural endorphins that rush with love are no different in effect. Although Puck has had noShow MoreRelatedWeathering the Storms of True Love1159 Words   |  5 Pages Sitting on a porch swing with ones true love hugging and kissing as the moon smiles down upon them, seems like the perfect situation for true love. Unfortunately, nothing could be further from the truth. Shakespeare presents the truth about true love in his comical tragedy A Midsummer Nights Dream. Lysander clearly stated loves situation when he told Hermia the course of true love never did run smooth (Griffiths 94). In some ways Lysanders declaration becomes the plays structuralRead MoreA Midsummer Nights Dream - Bottom and Puck. 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A Review Of Ang Lees Film Free Essays

string(120) " the short narrative and the film in the ways in which the characters related to each other, their emotion and concern\." ‘Compare the movie version of ‘Brokeback Mountain ‘ with Proulx ‘s narrative, explicating to what extent you feel Ang Lee ‘s movie represents its subjects and thoughts. This essay will take to compare the movie version of ‘Brokeback Mountain ‘ with Annie Proulx ‘s short narrative. It will explicate, discourse every bit good as measure the ways in which Ang Lee represented cardinal subjects and thoughts through-out the movie. We will write a custom essay sample on A Review Of Ang Lees Film or any similar topic only for you Order Now Many subjects and thoughts were dealt with in the movie, some of which will be looked at such as, relationships, love, desire and the Gothic. Ang Lee was able to show Jack and Ennis ‘s maleness through their physical characteristics, the occupations that they undertook, every bit good as through their vesture, throughout the film. The two work forces were seen to be working on the land, making strenuous physical labor and played out the masculine roles in society. In both the film and the short narrative Jack and Ennis ‘ relationship with nature was masculine in the manner that they spent a great trade of clip in the unfastened countryside at work. Their relationship with the land strengthened through the word picture of their love devising on Brokeback Mountain which showed their deep connexion and assurance with their milieus. Even though the work forces were portrayed as masculine figures throughout both the movie and the narrative, there was besides a really outstanding displacement in the gender functions, as Jack and Ennis both alternated between the traditional functions of male A ; female. ‘Centr al to Proulx ‘s thought is non merely the subjectiveness of people shaped by geographical restraints, bounds and chances, but besides that the societal universes produced reveal personal narrations of battle which frequently question determined societal functions. ‘ [ 1 ] It could be argued that the short narrative was entirely about the love of two work forces for each other and how this impacted on the lives they were expected to take. However the film focused more on their place life and domestic functions, such as Ennis neglecting to supply and care for his kids. The short narrative merely briefly mentioned Ennis ‘ household life. In the film, there was great insight into the work forces ‘s married life whereas in the book there is non much accent on this. This would hold helped the spectator to dig more profoundly into their personal lives and hence have a better apprehension of them. The adult females in the movie version of Brokeback Mountain were more seeable, referred to more and had a significantly active function in the narrative in relation to Jack and Ennis. The spectator was able to see life from the adult females ‘s points of position and into the adversities of their lives. Whereas in the short narrative they were simply portrayed as obstructions that stopped Jack and Ennis from prosecuting their romantic relationship. It could be argued that Ang Lee did non desire adult females to simply be on the border in this movie, he likely wanted to convey the adult females to the foreground of the narrative since conventional relationships are between work forces and adult females, unlike Proulx whose version was more closely focused around the relationship between Jack and Ennis. In both versions the adult females were powerless to impact what was traveling on, particularly after they finally discovered that Jack and Ennis were more than merely friends. T here was nil that they could make, as they were unable to efficaciously act upon the state of affairs in their favor, . ‘ †¦ and the door gap and Alma looking out for a few seconds at Ennis ‘s straining shoulders†¦ .She had seen what she had seen. ‘ [ 2 ] In add-on, this narrative was set at a clip when adult females were seen to be more dominant in the private domestic domain, therefore they seemed to be naA?ve of about the departures on in the outside universe and possibly did non hold a loud adequate voice to stand up to work forces. One of the chief subjects in Ang Lee ‘s movie version of ‘Brokeback Mountain ‘ was the added dimension of nature and the milieus of the West in which the movie was set. Proulx ‘ mentions to the landscape to put the scenes were really descriptive throughout the narrative. ‘The mountain boiled with diabolic energy, glazed with wavering broken-cloud visible radiation ; the air current combed the grass and Drew from the damaged krummholz and slit stone a beastly drone. ‘ [ 3 ] The astonishing amazing shootings of the landscape in Ang Lee ‘s film, gave a new dimension to the movie as the shootings of nature became merely every bit much a portion of the movie as the narrative line. â€Å" The beauty of the shootings about every bit of import as duologue † [ 4 ] The impact that nature had on people who already felt comfy in the unfastened state were given more depth and significance. Spending clip together on Brokeback Mountain was like a retreat or a safe oasis from society in which Jack and Ennis would hold been judged because of the nature of their relationship. Whilst on Brokeback Mountain the accent on nature meant that they felt free and at peace off from society and were able to be themselves without the hazard of being ridiculed or judged. The image of the dead sheep on the mountain, in the movie, acted as a metaphor for the thought that even though the work forces felt safe and free on the mountain they were still vulnerable in the eyes of society. The chief subjects that ran through the movie were that of love, relationships and desire. There were great similarities in the short narrative and the film in the ways in which the characters related to each other, their emotion and concern. You read "A Review Of Ang Lees Film" in category "Essay examples" The manner that Jack was so caring towards Ennis, was expressed absolutely through both mediums. The manner their relationship was portrayed was so painful as they could ne’er be together was shown in different ways in both the short narrative and the film. † They have to privatize their feelings † [ 5 ] . The original duologue from the narrative added another dimension to Ang Lee ‘s movie. As a batch of the clip the characters whispered or spoke in a quiet mode, it gives the feeling that what they were stating was non to be shared with others. The scene in the film where Ennis became hysterical after Jack ‘s going from Brokeback Mountain, was really much more dear and emotional than in the short narrative, ‘within a stat mi Ennis felt like person was drawing his backbones out†¦ ‘ [ 6 ] . The emotion was non felt whilst reading the book, it was better conveyed in the film. The ground for this may hold been as a consequence of the musical soundtrack and the stopping point up camera shootings which showed Ennis as wholly overwrought. This was evident besides near the terminal of the movie by the lines, â€Å" ‘I wish I knew how to discontinue you ‘ † [ 7 ] , which were spoken, the tone and volume of which this short line was spoken displayed the hurting that Ennis and Jack were digesting by being apart. In add-on, in the concluding scene at Jack ‘s house with the two shirts, one inside the other ; the scene was portrayed better visually than in the book due to the impact that the music had over the scene, which was non achieved in the short narrative. However, it the words used in the short narrative were powerful in their simpleness. ‘The shirt seemed heavy until he saw there was another inside it†¦ the brace like two teguments, one inside the other, two in one. ‘ [ 8 ] On a actual degree this scene added shaped to the narrative, as the narrative ended where it started, both with dreams, both with shirts. Both the film and the short narrative expressed cardinal elements of the Gothic. Two of the most outstanding elements were force and enigma. Proulx ‘s short narrative had an equivocal stoping in which the reader was unsure of how Jack died and who killed him. His household and Ennis were left inquiring if it was an accident or if it was on intent as a consequence of person happening out about his secret relationship with Ennis. The stoping was left for the spectator to make up one’s mind and to utilize their imaginativeness as to who killed Jack and how he was killed, rather like a slaying enigma. â€Å" Not merely did I want to be loyal to [ Proulx ‘s ] authorship, but I needed to make extra scenes to corroborate her authorship, because we do n’t hold the internal word pictures which she did most brightly. â€Å" ‘ [ 9 ] This was true systematically throughout the movie. There were many subdivisions in the movie that did non look in the narrative, such as the statement between Jack and his father-in-law on Thanksgiving, and the scenes where Jack went to Mexico to research his gender and the greater deepness and penetration into their household lives and the people closest to them. Scenes even appeared in a different order. However things that were losing from the movie were filled with drawn-out scenes that were besides non in the short narrative. These drawn-out scenes gave the spectator a greater penetration into the lives of Jack and Ennis every bit good as those that they interacted with. Futhermore in the film Ang Lee used flashbacks every bit good as cartridge holders which gave the spectator a greater penetration into the unknown, and to things that were below the surface of the characters initial ideas. The spectator ever had the Fuller image drawn out for them, which was pieced together by the existent plot line. This was present in the manner that Ang Lee used a flashback to demo how Ennis ‘ male parent showed him what happened to a adult male who lived with another male nevertheless this was non presented in the same manner in the short narrative. The film was rather direct and ocular and the narrative had a unequivocal stoping and the audience knew precisely what happened to Jack even if the other characters in movie did non. The usage of the film as a ocular assistance meant that there was more freedom in the thought of the Gothic with the ghastly scenes of the adult male who was castrated every bit good as the slaying of Jack. The book ended as it stated that the love felt by Ennis was endured, but it was merely an terminal to the physical but non emotional love. It was as if the narrative still continued beyond the text, and would go on to make so every bit long as society failed to travel on. ‘There was some unfastened infinite between what he knew and what he tried to believe, but nil could be done about it, and if you ca n’t repair it you ‘ve got to stand it ‘ . [ 10 ] The long silences and deep stares that were exchanged between Jack and Ennis throughout the movie expressed their mute love, this was more efficaciously displayed in the movie than the short narrative. ‘Because of their Stoic characters, the narrative has much to make with what is mute, with the shame and guilt that fills them ‘ [ 11 ] This made the movie a batch more powerful than the narrative as a consequence of these silences. ‘ †¦ narrative item is echoed by Ang Lee cinematically. The beauty and pureness of the emotions is matched by the countrified stateliness of the landscape ; in cut downing the narrative to a existence of simpleness of scenery and emotion, Lee was seeking to make a new deepness for a love narrative ‘ . [ 12 ] As a consequence of the shame and guilt that would hold been forced upon them whilst in society Brokeback Mountain gave them a sense of freedom to make things that would non hold been acceptable in society at the clip. ‘Ang Lee tells us that the focal point on emotion can non be articulated in words, and employs the imagined iconic purdah of the cowpuncher†¦ ‘ [ 13 ] The usage of camera shootings such as panning and close ups helped to covey the emotion through the screen to the spectator, this therefore enabled the spectator to hold a better emotional connexion with the characters. One of the chief versions that Ang Lee made to the movie version of Brokeback Mountain was his choice of his dramatis personae, particularly the chief characters. Whereas in the short narrative Jack and Ennis were non described as excessively good looking work forces, nevertheless Ang Lee ‘s dramatis personae did non portray this. Bibliography Campbell, N. ( 2009 ) From narrative to movie: Brokeback Mountain ‘s ‘in-between ‘ infinites, Canadian Review of American Studies, Volume 39, Number 2, 2009 Dilley, W. ( 2007 ) The Cinema of Ang Lee: The Other Side of the Screen, London: Wallflower Imperativeness Grindstaff, D. ( 2008 ) The Fist and the Cadaver: Taming the Queer Sublime in Brokeback Mountain, Communication and Critical/Cultural Studies, Volume 5, Issue 3 Hunt, A. ( ed. ) ( 2008 ) The Geographical Imagination of Annie Proulx: Rethinking Regionalism, United Kingdom: Lexington Books Intertexts ( 2006 ) Conversing Brokeback Mountain ‘s varied infinites and contested desires. . [ Online ] . Available at: hypertext transfer protocol: //goliath.ecnext.com/coms2/gi_0199-7044583/Conversing-Brokeback-Mountain-s-varied.html Date of entree ( 12/12/09 ) . Johnson, L. S. ( 2006 ) Brokeback Mountain, Movie Reviews, The Journal of American History Vol.93, No.3 p.988. Lee, A. ( 2005 ) Brokeback Mountain DVD, Focus Features McDonald, J. ( 2007 ) Thwarting the representation of the masculine ‘West ‘ in Ang Lee ‘s Brokeback Mountain. Gay and Lesbian Issues and Psychology Review, 3 ( 2 ) . National Association For Research and Therapy of Homosexuality ( 2008 ) Essayists Review Themes In ‘Brokeback Mountain ‘ . [ Online ] . Available at: hypertext transfer protocol: //www.narth.com/docs/brokeback.html Date of entree ( 21/12/09 ) . Prefontaine, C. ( 2008 ) Heath Ledger in Ang Lee ‘s Brokeback Mountain, Suite 101. [ Online ] . Available at: hypertext transfer protocol: //filmdramas.suite101.com/article.cfm/review_brokeback_mountain Date of Access: ( 21/12/09 ) . Testa, M. ( 2005 ) Exclusive PJH Interview: At near scope with Annie Proulx, JH Weekly. [ Online ] . Available at: hypertext transfer protocol: //www.planetjh.com//music_arts_culture/A_100138.aspx Date of entree: ( 20/12/09 ) . Pullen, C. Brokeback Mountain as Progressive Narrative and Cinematic Vision: Landscape, Emotion and the Denial of Domesticity ‘in ‘ Hunt, A. ( 2009 ) The Geographical imaginativeness of Annie Proulx, United Kingdom: Lexington Books Pp.155 Proulx, A. ( 1998 ) Brokeback Mountain, London: Fourth Estate Limited Pp. 21-22 Proulx, A. ( 1998 ) Brokeback Mountain, London: Fourth Estate Limited Pp.16 Gyllenhaal, J. ( 2005 ) Brokeback Mountain, DVD, ‘in ‘ Ang Lee, Interview from the docudrama: On Bing a Cowboy, Focus Features Lee, A. ( 2005 ) Interview from the docudrama: On Bing a Cowboy, Brokeback Mountain DVD, Focus Features Proulx, A. ( 1998 ) Brokeback Mountain, London: Fourth Estate Limited, Pp.17 Proulx, A. ( 1998 ) Brokeback Mountain, London: Fourth Estate Limited, Pp.44 Proulx, A. ( 1998 ) Brokeback Mountain, London: Fourth Estate Limited Pp. 55 Lee. A. ( 2005 ) Interview with Carlo Cavagna, ‘in ‘ Dilley, C. W. ( 2007 ) The Cinema of Ang Lee the Other Side of the Screen, London: Wallflower Press, P. 167 Proulx, A. ( 1998 ) Brokeback Mountain, London: Fourth Estate Limited, Pp. 58 Dilley, C. W. ( 2007 ) The Cinema of Ang Lee the Other Side of the Screen, London: Wallflower Press, P.164 Dilley, C. W. ( 2007 ) The Cinema of Ang Lee the Other Side of the Screen, London: Wallflower Press, P.166 Lee, A. ( 2005 ) Interview from the docudrama: On Bing a Cowboy, Brokeback Mountain DVD, Focus Features ‘in ‘ Pullen, C. Brokeback Mountain as Progressive Narrative and Cinematic Vision: Landscape, Emotion and the Denial of Domesticity ‘in ‘ Hunt, A. ( ed. ) The Geographical Imagination of Annie Proulx, United Kingdom: Lexington Books Pp.160 How to cite A Review Of Ang Lees Film, Essay examples